Presentazione del metodo 
MY NEW METHODOLOGY
Hi!
Charlemagne Ferdinand I , author of this work .
First let me say that my method for organ or electronic keyboard to which a pedal is applied, is the only job in the world printed by hand. In fact the music is imitating the handwriting system of the press while the shares were handwritten, with imagination, trying to invent a different spelling of each piece.
(See sample pages of graphs).
The work, which consists of 118 pages, was designed to allow those who wish to devote to the study of music, learn to read correctly even parts of some difficulty, without boring exercises and music theory music theory.
To achieve For this purpose, were used well-known songs that at times have been changed rhythmically to help you understand the various musical figures, which are explained with practical examples.
The signed agreements are marked with the system of the countries of Latin than with English-speaking (important to know because it adopted in many countries).
To make it even lighter than the study, not been fully complied the rules of classical harmony.
In fact, the student learns the position of an agreement and always use the same, at least at first, even when the other hand sounds a note that creates a doubling in harmony.
(Do not be alarmed the learner for the last sentence, which surely will not understand.
These are technical things that do not affect in any way for student enjoyment .)
The method is supported by a CD in MP3 format for most è stato registrato dal vivo, durante le normali lezioni. Su questo CD ci sono incise 159 lezioni che durano complessivamente oltre sette ore e quaranta primi e portano un allievo che parte da zero a leggere ed a suonare pezzi di media difficoltà , in un tempo straordinariamente ridotto.
Esso è particolarmente adatto a chi non ha un Maestro o ne vuole fare a meno.
In questo supporto, ogni singola lezione, viene spiegata con chiarezza, come se il Maestro fosse presente in carne ed ossa e non come una voce registrata (ascolta un frammento del file audio “Prima lezione”). Dopo aver assimilato la lezione, ogni pezzo viene suonato assieme alla registrazione che spiega in anticipo quali diffico ltà si devono superare e come fare per raggiungere velocemente lo scopo.
Il metodo è stato scritto dopo essere stato testato su centinaia di allievi, di ogni età , che negli anni, lo hanno sperimentato ed hanno imparato divertendosi.
Il lavoro si divide in nove capitoli, oltre agli esercizi di impostazione della mano destra, di quella sinistra e della pedaliera, alla quale sono dedicati diversi esercizi che danno agli allievi una ottima padronanza della stessa.
Si inizia con pezzi very easy and, as is a new figure, this is explained with practical examples.
The various chapters cover the following topics:
Chapter I Suonatine with accompanying notes and financial instruments required to understand the first musical figure.
Chapter II Suonatine with rhythmic accompaniment, eighth notes and practical exercises on the eighth rests (Listen file lesson N ° 67 eighth rest).
Chapter III He began to study the low alternating eighth notes with abbreviations and some point of writing.
Chapter IV We study the steps below, the compound tenses, cut time and variations to the accompaniment of rhythmic time 3 / 4 and 4 / 4 using the same songs in the first study.
Chapter V The pieces begin to study with notes held into the left hand.
Chapter VI We study the figures of modern music, the irregular groups, excess and defect (fragment Lez Play. No. 126 figures of modern music).
Chapter VII polyphonic pieces are studied and various shapes with which you can write the same pace.
Chapter VIII We study the simultaneous processing of groups of notes that can not be divided between them, such as triplets and Duin, who are taught using the metric of sentences of spoken language (listen Lez . No. 151 in contrasting rhythms and Lez. No. 157 quarter note triplets and Duin chroma).
Chapter IX "Formation of the agreements," explains how to build major agreements, the different positions they can assume and the color progression of the fundamental agreements of all major and minor keys.
( The photos shown on this blog, is the cover of my other work that will be ready soon).
The author
Charlemagne Ferdinand
